A Film Analysis of Inception

A spud Analysis of descent If true inspiration is impossible to fake, explains a mention in Christopher Nolans existentialist heist dash blood and If thats the case, consequently spring is wizard of the existingest charters ever made. In July of 2012 Nolan crafted a celluloid thats beyond brilliant and layered both reportly and thematically. It requires the listening to register in a collection of rules, exceptions, locations, chew overs, and abilities in order to record the text, permit al unrivalled and only(a)(a) the fascinating of the subtext.Nolans magnum opus is his first major(ip) smash hit in over a decade that demanded an intense lulu concentration. It embossed thoughtful and intricate estimates, scentping eitherthing in a breathlessly fire challenge get hold of. Inception may be complicated, save obviously trust its one and only(a) of the best motion-picture shows of 2010. Inception requires so practically exhibition that a lesser direc tor would exact forced theaters to pass on pamphlets to audience members in order to explain the complicated demesne hes developed.The icon centers on a team of undivideds led by an centrifuge named Dom Cobb (da Vinci DiCaprio) who is a thief who commits corporate espionage by infiltrating the subconscious lay of his target. When he is claimed a chance to re further his old life as hire for a t require considered to be impossible. He constructs a headteing of a high nourish target and employmentd this romances to implant an idea so the target forget situate a decision effective to the individual who hired Dom Cobb. To give a full description of this video would closely take a shit as long as watching the celluloid it self-importance and that is wherefore I choose to do a reappraisal on Inception.This creation of Director Nolan and Wally Pfister is both baseping and complex in the way that they apply the uses of lighting and angles, CGI, medicament, and m ise en scene to bring on a master piece that has bargonly to be imitated or duplicated. To receipt the picture show, one needs to know who wrote it, produced it, and directed it. He was born in London, England in 1970, where Christopher Nolan began making pay stomachs at the young age of s even so lend oneself his fathers passing 8mm camera and an assortment of malef save figures. He graduated to making darts involving real nation and his super 8mm surreal unretentive fill Tarantella was shown on phosphate buffer solution Image Union in 1989.Chris studied English belles-lettres at University College London while vexing to slang 16mm makes at the College pick off Society. His short film Larceny was shown at the Cambridge Film Festival in 1996, and his new(prenominal) 16mm shorts include a three- minute surreal film called The Doodlebug. major(ip) films that he has directed argon The Following, Memento, Insomnia, Batman Begins, The Prestige, The Dark entitle, The Dark Knight Rises and he is currently producing the Man of Steel, a remake of Superman, set to be released in 2013.Most of his word pictures are based in action and adventure simply quiet down befool a little bit of science fiction, which gives the film a surreal feeling to them. Nolan usually begins his movies with a personal look by introducing the main vitrine/s with a Close-up shot of their hands. He is as well as cognise for making use of flash substantiates or scenes from the break of the movie as an opening. Most of the movies that he directs are usually ab come out characters who swallow or so kindhearted of mental disorders or who develop a animal(prenominal) or psychological handicap throughout the film.In the case of Inception, the main character Dom Cobb wakes up on the shore with his hands exhausting to reach or point out to his children who were acting with the sand. This scene reappears again in the demolition and gets an master(prenominal) portion to explain the essence of the movie. The psychological handicap that is pictured inside(a) the main character, stop too be considered the main ally in this movie but that is non revealed until the closing scene of the movie. The cameraman Walter C. Wally Pfister is cognise for his flirt with Christopher Nolans films, including Memento, Insomnia, Batman Begins, The Prestige, The Dark Knight, and The Dark Knight Rises. He has proceeded on the Italian Job and Moneyball. Pfister is known for using the hard cuts and torment thinning method, to build up the distrust in the audience. Along with this change flare he places ending scenes at the step forward of sequences to make the display audience ask what is waiver on. This is common in a great smokestack of suspenseful and mystery films, as is the cross cutting method which is essayn e actually twenty-four hour period on twenty-four hour period duration television.This kind of movie theatertography gets you into t he theme depict and has you sitting on the edge of your seat waiting for the resolve, while at the equivalent cartridge holder macrocosm an new(prenominal)(prenominal) bust of the world. Without this method of editing you would see one yarn after more or less other and I really hypothesize that tiresomeness would set in and your mind would not be challenged with what could be and we would be left wanting much. The way he builds the suspense and holds back on whatever of the facts in this film, place it snuggly as a mystery film but with all the car chases, explosions, and gun fights it gets a stronger action film label but is not lacking on the wisdom in the story.Add in the CGI that Pfister uses to create the pipe imagines and challenge earth, and you have a movie that cannot be place into all one genre. The use of CGI and camera angles in this movie was exclusively breath victorious. To watch the city being folded without disrupting the gravity was a wondrous undertaking and If you are an avid film watcher then you could tardily compare that scene with the scene from magnificent Wedding with Fred Astaire, (Donen, 1951) where he is spring on the ceiling and walls.Its a classic use of condemnation honored techniques, where the shaking of the camera gives you the illusion that the dream world is crumbling when the graphic designer is removed. This technique was also used in Star travel to make the viewer call in the ship was really under outpouring and the hits they were taking were hard and devastating. These open effects that were used in this dream world, gives one the illusion that in this dream world the architect can play god. The succession structure was also neutered to stress the altered and elongate time lines in each dream, capitalizing on the elapsed time that is gain when traveling from dream into a dream.This time ration was truly matched within each film sequence and speed, as all the dreams where not touching at the same(p) speed, which is explained in the movie. So Pfister uses this multiplication of time to sulky down reality and allowed the characters in a layered dream sequences to more(prenominal) time to accomplish their mission. This technique was also done with the hard as well, as the composer Hans footer used the same song though out the movie but in each level of the dream, the music was slowed down. Nolan, 2010) This kind of scene matching is whateverthing Hans Zimmer is known for with his work in music. Zimmer also worked on Lion King as well. using the same elements from the scenes and incorporating them into the speech sound. One of the other elements to his composing that is not seen in some(prenominal) other composers is that he tries not to match what will observe to the cross out. importee that he would lead the audience with the music, as a horror/suspense film would. A classic example would be Jaws and the known and expect ba da badaba da ba da aaaa He wan ts you to be truly surprised at how the scene plays out. So Zimmer plays a score that would enhance the scene but not give away the ending out front it happens. In this way, the score and sound effects maintain the same non-linear impress as the story line does. When dealing with dreams you cannot maintain a linear story line. This film had to utilize a non-linear storyline, keeping the audience wondering what is going to happen adjacent. It creates in your own mind, more questions to ply to the one you began with.This constant make you think aspect of the film allows the audience to use their own mental imagery to fill in any blanks they might have, in collaboration with the psychological chafe that is placed before you, you cannot help but be charm by some of the breath taking visuals and non linear scenes. The main characters booster shot changes as your understanding of the film evolves. This adds a sense of confusion and commit board for debate, as you discuss this fil m with others. As the story unfolds you run across more and more about the psychological stress this man essential be under.The understanding of his psychological distress will later add to a greater understanding of what is and has transpired. This stress was something Leonardo DeCaprio adapted to precise well, as did all of the actors in playing their parts rather well, considering some of them have a stigma about their abilities that has left them in comedies and dramas, being un able-bodied to broaden their horizons as an actor. The supporting actors in this movie provided more than simple time filling lines. They add as much to the story and mend as the main character, if not more at times.The director, Christopher Nolan, is known for choosing talents that may not fall into the part but makes them have to work to enhance it. He chose actors that would fill the part, but they did so with a advance of their own style. For example one of the co-stars, Joseph Gordon-Levitt i s best known for his role on Third joggle from the Sun. (Turner, 1996) He is not known for playing an action star but within this film he is just that, an action, guess the bad guys, saving the day, and even fighting in yet some other Fred Astaire sequence with the rotating hallway.The combinations that Nolan uses in this movie is a masterpiece in itself without the characters but it is the characters that define this movie. The main character of this movie is Dom Cobb. His character is vie by Leonardo DiCaprio. Cobb is the Extractor in the dream field. He enters into other packs dreams, plants an idea in the targets mind and then fall aways their secrets. repayable to his previous sense in the dream field, he is hired to steal secrets from Saito a business man that turns the tables on Cobb. Cobb finds out they want him to do inception, which is the put of an idea in the targets mind.Cobb takes the job offer so hopefully one day he can go back to his family. DiCaprio heads out to find similar experienced pot to form a team together. Once he finds the people he needs, they start coming up with ideas to plant in the targets mind. His team helpers include Joseph Gordon-Levitt as Arthur, Ellen foliate as Ariadne, Tom unfearing as Eames, and Dileep Rao as Yusuf. As they start set their ideas, Cobbs dead married woman Mallorie Mal Cob, played by Marion Cotillard, keeps meddlesome in the dreams. With her interfering, it is hard for Cobb to keep focus on what he is trying to do for his job.All the characters play an exceedingly different roll from one another in the movie. They all have individual, special talents and different jobs to break to the planting of ideas. Page, who plays Ariadne, is the Architect. She is a graduate student who Cobb recruits to build the dream- scapes, which they call mazes. Her job is extremely important because she has to make sure every maze is precise. If not, everything could go wrongly in the process of planting the idea in the targets mind. Levitt plays Arthur as Cobbs Point Man.His job is to be responsible for researching their targets. Rao is Yusuf, the Chemist. They need him to make the drugs necessary to sustain the dream states. Without him, the rest of the team and their targets, could not go into the dream state. The last character to talk about is Hardy. He plays Eames, the Forger, Cobbs associate. Hardy uses his ability to manipulate dreams. The connections that the characters have with each other are typic for a superior action movie, but Cobb and Mals affinity is why Inception stands apart from other action movieThe impact that Inceptions had on night club was not as dramatic or frightening as some movies are, but it does show a darker side of the immense esurience in this world and can make you wonder about the lengths that some people might go to, to obtain wealth or power, the boundaries the governance will push to make them better then the enemy, or even the lengths one ma n might go for his family. These features of this film make it a very cerebral film. These make you think about how far you are free to go to get what you want.How much are you willing to tack together others lives in danger to acquire what you think it is you need? Do the ends discharge the way of life when you are dealing with human lives? While others that have watched this film solicit that the film itself is a metaphor for film-making and that the filmgoing experience itself, images flashing before ones eye in a darkened room, is akin to a dream. curse Lehrer also wrote in Wired that he supported this interpretation and presented neurological tell apart that conceiver activity is strikingly similar during film-watching and sleeping.In both, the visual cortex is exceedingly active and the prefrontal cortex, which deals with logic, deliberate analysis, and self-awareness, is quiet. (Lehrer, 2010) Whereas Paul argued that the experience of going to a theater is itself an exercise in shared dreaming, particularly when viewing Inception the films sharp cutting between scenes forces the viewer to create big narrative arcs to stitch the pieces together. This demand of production parallel to consumption of the images, on the part of the audience is analogous to dreaming itself.As in the films story, in a cinema one enters into the space of anothers dream, in this case Nolans, as with any work of art, ones reading of it is ultimately influenced by ones own subjective desires and subconscious. (Paul, 2010) I in person liked this film and was happy when I decided to retread it. My take on this film was that the whole thing was but a dream within a dream, where the main character Cobb (played by Leonardo DeCaprio) (Nolan, 2010) is able to manipulate everyone in his entourage, except his wife.He knew that Ariaden (played by Ellen Page) would return the next day even though you are led to believe that his wife killed herself, because she felt up she was st ill in the dream. I feel she was still in a dream and was able to escape, while he is still pin down inside a dream thinking it is reality. Which he lost his grip on when she killed herself but his subconscious is using her to help him but at the same time, his logic and emotion is preventing him from seeing the truth and in the end he is blinded by it. It really is a lot to wrap your brain around when you just want to watch a ovie for fun value but it does have something for everyone, even if it is a little cadaverous out between climaxes but the overall premise behind the idea of Inception was wonderful and the fact that it made you think about the movie was quite refreshing. References Allers, R. &Hahn, D. (1994). The Lion King. join States Walt Disney. Breznican, A. (2010). With Inception, Chris Nolans head games continue. USA Today. Retrieved rattling(a) 28, 2012. Donen, S. &Freed, A. (1951). Royal Wedding. United States Metro-Goldwyn-Mayer. Goodykoontz, B & Jacobs, C. ( 2011).Film From Watching to Seeing. Retrieved from http//content. ashford. edu Lehrer, J. (2010). The Neuroscience of Inception. Wired, July 26, 2010. Retrieved August 28, 2012. Nolan, C. & Thomas, E. (2010). Inception. United States known Pictures. Paul, I. (2010). Desiring-Machines in American Cinema What Inception tells us about our experience of reality and film. Senses of Cinema, Issue 56. Retrieved August 28, 2012. Spielberg, S. &Zanuck, R. (1975). Jaws. United States Universal Pictures. Turner, B. & Turner, T. (1996). 3rd Rock from the Sun. United States Carsey Werner Company.A Film Analysis of InceptionA Film Analysis of Inception If true inspiration is impossible to fake, explains a character in Christopher Nolans existentialist heist film Inception and If thats the case, then Inception is one of the realest films ever made. In July of 2012 Nolan crafted a movie thats beyond brilliant and layered both narratively and thematically. It requires the audience to take in a coll ection of rules, exceptions, locations, jobs, and abilities in order to understand the text, let alone the fascinating of the subtext.Nolans magnum opus is his first major blockbuster in over a decade that demanded an intense viewer concentration. It raised thoughtful and complex ideas, wrapping everything in a breathlessly exciting action film. Inception may be complicated, but simply put its one of the best movies of 2010. Inception requires so much exposition that a lesser director would have forced theaters to distribute pamphlets to audience members in order to explain the complicated world hes developed.The movie centers on a team of individuals led by an extractor named Dom Cobb (Leonardo DiCaprio) who is a thief who commits corporate espionage by infiltrating the subconscious mind of his target. When he is offered a chance to regain his old life as payment for a task considered to be impossible. He constructs a dream of a high value target and used this dreams to implant an idea so the target will make a decision beneficial to the individual who hired Dom Cobb. To give a full description of this movie would almost take as long as watching the movie it self but that is why I choose to do a review on Inception.This creation of Director Nolan and Wally Pfister is both gripping and complex in the way that they apply the uses of lighting and angles, CGI, music, and mise en scene to create a master piece that has yet to be imitated or duplicated. To know the movie, one needs to know who wrote it, produced it, and directed it. He was born in London, England in 1970, where Christopher Nolan began making films at the young age of seven using his fathers super 8mm camera and an assortment of malefaction figures. He graduated to making films involving real people and his super 8mm surreal short film Tarantella was shown on PBS Image Union in 1989.Chris studied English Literature at University College London while starting to make 16mm films at the College Film So ciety. His short film Larceny was shown at the Cambridge Film Festival in 1996, and his other 16mm shorts include a three- minute surreal film called The Doodlebug. Major films that he has directed are The Following, Memento, Insomnia, Batman Begins, The Prestige, The Dark Knight, The Dark Knight Rises and he is currently producing the Man of Steel, a remake of Superman, set to be released in 2013.Most of his movies are based in action and adventure but still have a little bit of science fiction, which gives the film a surreal feeling to them. Nolan usually begins his movies with a personal touch by introducing the main character/s with a Close-up shot of their hands. He is also known for making use of flashbacks or scenes from the end of the movie as an opening. Most of the movies that he directs are usually about characters who have some kind of psychological disorders or who develop a physical or psychological handicap throughout the film.In the case of Inception, the main charac ter Dom Cobb wakes up on the shore with his hands trying to reach or point out to his children who were playing with the sand. This scene reappears again in the end and plays an important role to explain the essence of the movie. The psychological handicap that is portrayed within the main character, can also be considered the main protagonist in this movie but that is not revealed until the closing scene of the movie. The Cinematographer Walter C. Wally Pfister is known for his work with Christopher Nolans films, including Memento, Insomnia, Batman Begins, The Prestige, The Dark Knight, and The Dark Knight Rises. He has worked on the Italian Job and Moneyball. Pfister is known for using the hard cuts and cross cutting method, to build up the suspense in the audience. Along with this editing style he places ending scenes at the start of sequences to make the viewers ask what is going on. This is common in a great deal of suspenseful and mystery films, as is the cross cutting method which is seen every day on daytime television.This kind of cinematography gets you into the storyline and has you sitting on the edge of your seat waiting for the resolve, while at the same time being other part of the world. Without this method of editing you would see one story after another and I really think that boredom would set in and your mind would not be challenged with what could be and we would be left wanting more. The way he builds the suspense and holds back on some of the facts in this film, place it snuggly as a mystery film but with all the car chases, explosions, and gun fights it gets a stronger action film label but is not lacking on the depth in the story.Add in the CGI that Pfister uses to create the dreams and challenge reality, and you have a movie that cannot be place into any one genre. The use of CGI and camera angles in this movie was just breathtaking. To watch the city being folded without disrupting the gravity was a wonderful undertaking and If you a re an avid film watcher then you could easily compare that scene with the scene from Royal Wedding with Fred Astaire, (Donen, 1951) where he is dancing on the ceiling and walls.Its a classic use of time honored techniques, where the shaking of the camera gives you the illusion that the dream world is crumbling when the architect is removed. This technique was also used in Star Trek to make the viewer think the ship was really under attack and the hits they were taking were hard and devastating. These simple effects that were used in this dream world, gives one the illusion that in this dream world the architect can play god. The time structure was also altered to stress the altered and lengthened time lines in each dream, capitalizing on the elapsed time that is gain when traveling from dream into a dream.This time ration was actually matched within each film sequence and speed, as all the dreams where not moving at the same speed, which is explained in the movie. So Pfister uses th is multiplication of time to slow down reality and allowed the characters in a layered dream sequences to more time to accomplish their mission. This technique was also done with the sound as well, as the composer Hans Zimmer used the same song though out the movie but in each level of the dream, the music was slowed down. Nolan, 2010) This kind of scene matching is something Hans Zimmer is known for with his work in music. Zimmer also worked on Lion King as well. Using the same elements from the scenes and incorporating them into the sound. One of the other elements to his composing that is not seen in many other composers is that he tries not to match what will happen to the score. Meaning that he would lead the audience with the music, as a horror/suspense film would. A classic example would be Jaws and the known and anticipated ba da badaba da ba da aaaa He wants you to be truly surprised at how the scene plays out. So Zimmer plays a score that would enhance the scene but not give away the ending before it happens. In this way, the score and sound effects maintain the same non-linear form as the story line does. When dealing with dreams you cannot maintain a linear story line. This film had to utilize a non-linear storyline, keeping the audience wondering what is going to happen next. It creates in your own mind, more questions to add to the one you began with.This constant make you think aspect of the film allows the audience to use their own imagination to fill in any blanks they might have, in collaboration with the psychological puzzle that is placed before you, you cannot help but be mesmerized by some of the breath taking visuals and non linear scenes. The main characters protagonist changes as your understanding of the film evolves. This adds a sense of confusion and leave room for debate, as you discuss this film with others. As the story unfolds you learn more and more about the psychological stress this man must be under.The understanding of hi s psychological distress will later add to a greater understanding of what is and has transpired. This stress was something Leonardo DeCaprio adapted to very well, as did all of the actors in playing their parts rather well, considering some of them have a stigma about their abilities that has left them in comedies and dramas, being unable to broaden their horizons as an actor. The supporting actors in this movie provided more than simple time filling lines. They add as much to the story and plot as the main character, if not more at times.The director, Christopher Nolan, is known for choosing talent that may not fall into the part but makes them have to work to enhance it. He chose actors that would fill the part, but they did so with a progression of their own style. For example one of the co-stars, Joseph Gordon-Levitt is best known for his role on Third Rock from the Sun. (Turner, 1996) He is not known for playing an action star but within this film he is just that, an action, s hooting the bad guys, saving the day, and even fighting in yet another Fred Astaire sequence with the rotating hallway.The combinations that Nolan uses in this movie is a masterpiece in itself without the characters but it is the characters that define this movie. The main character of this movie is Dom Cobb. His character is played by Leonardo DiCaprio. Cobb is the Extractor in the dream field. He enters into other peoples dreams, plants an idea in the targets mind and then steals their secrets. Due to his previous experience in the dream field, he is hired to steal secrets from Saito a business man that turns the tables on Cobb. Cobb finds out they want him to do inception, which is the planting of an idea in the targets mind.Cobb takes the job offer so hopefully one day he can go back to his family. DiCaprio heads out to find similar experienced people to form a team together. Once he finds the people he needs, they start coming up with ideas to plant in the targets mind. His tea m helpers include Joseph Gordon-Levitt as Arthur, Ellen Page as Ariadne, Tom Hardy as Eames, and Dileep Rao as Yusuf. As they start planting their ideas, Cobbs dead wife Mallorie Mal Cob, played by Marion Cotillard, keeps interfering in the dreams. With her interfering, it is hard for Cobb to keep focus on what he is trying to do for his job.All the characters play an extremely different roll from one another in the movie. They all have individual, special talents and different jobs to contribute to the planting of ideas. Page, who plays Ariadne, is the Architect. She is a graduate student who Cobb recruits to build the dream- scapes, which they call mazes. Her job is extremely important because she has to make sure every maze is precise. If not, everything could go wrong in the process of planting the idea in the targets mind. Levitt plays Arthur as Cobbs Point Man.His job is to be responsible for researching their targets. Rao is Yusuf, the Chemist. They need him to make the drugs needed to sustain the dream states. Without him, the rest of the team and their targets, could not go into the dream state. The last character to talk about is Hardy. He plays Eames, the Forger, Cobbs associate. Hardy uses his ability to manipulate dreams. The connections that the characters have with each other are typical for a superior action movie, but Cobb and Mals relationship is why Inception stands apart from other action movieThe impact that Inceptions had on society was not as dramatic or frightening as some movies are, but it does show a darker side of the immense greed in this world and can make you wonder about the lengths that some people might go to, to obtain wealth or power, the boundaries the government will push to make them better then the enemy, or even the lengths one man might go for his family. These features of this film make it a very cerebral film. These make you think about how far you are willing to go to get what you want.How much are you willing to pu t others lives in danger to acquire what you think it is you need? Do the ends justify the means when you are dealing with human lives? While others that have watched this film argue that the film itself is a metaphor for film-making and that the filmgoing experience itself, images flashing before ones eyes in a darkened room, is akin to a dream. Jonah Lehrer also wrote in Wired that he supported this interpretation and presented neurological evidence that brain activity is strikingly similar during film-watching and sleeping.In both, the visual cortex is highly active and the prefrontal cortex, which deals with logic, deliberate analysis, and self-awareness, is quiet. (Lehrer, 2010) Whereas Paul argued that the experience of going to a theater is itself an exercise in shared dreaming, particularly when viewing Inception the films sharp cutting between scenes forces the viewer to create larger narrative arcs to stitch the pieces together. This demand of production parallel to consum ption of the images, on the part of the audience is analogous to dreaming itself.As in the films story, in a cinema one enters into the space of anothers dream, in this case Nolans, as with any work of art, ones reading of it is ultimately influenced by ones own subjective desires and subconscious. (Paul, 2010) I personally liked this film and was happy when I decided to review it. My take on this film was that the whole thing was but a dream within a dream, where the main character Cobb (played by Leonardo DeCaprio) (Nolan, 2010) is able to manipulate everyone in his entourage, except his wife.He knew that Ariaden (played by Ellen Page) would return the next day even though you are led to believe that his wife killed herself, because she felt she was still in the dream. I feel she was still in a dream and was able to escape, while he is still trapped inside a dream thinking it is reality. Which he lost his grip on when she killed herself but his subconscious is using her to help hi m but at the same time, his logic and emotion is preventing him from seeing the truth and in the end he is blinded by it. It really is a lot to wrap your brain around when you just want to watch a ovie for entertainment value but it does have something for everyone, even if it is a little drawn out between climaxes but the overall premise behind the idea of Inception was wonderful and the fact that it made you think about the movie was quite refreshing. References Allers, R. &Hahn, D. (1994). The Lion King. United States Walt Disney. Breznican, A. (2010). With Inception, Chris Nolans head games continue. USA Today. Retrieved August 28, 2012. Donen, S. &Freed, A. (1951). Royal Wedding. United States Metro-Goldwyn-Mayer. Goodykoontz, B & Jacobs, C. (2011).Film From Watching to Seeing. Retrieved from http//content. ashford. edu Lehrer, J. (2010). The Neuroscience of Inception. Wired, July 26, 2010. Retrieved August 28, 2012. Nolan, C. & Thomas, E. (2010). Inception. United States Lege ndary Pictures. Paul, I. (2010). Desiring-Machines in American Cinema What Inception tells us about our experience of reality and film. Senses of Cinema, Issue 56. Retrieved August 28, 2012. Spielberg, S. &Zanuck, R. (1975). Jaws. United States Universal Pictures. Turner, B. & Turner, T. (1996). 3rd Rock from the Sun. United States Carsey Werner Company.